|
Post by thegooddoctor on Nov 2, 2012 11:43:38 GMT
Hi - the special issue of the journal will come out in the winter issue, ie - late 2013. The book will hopefully get a more recession-friendly paperback release in 2014....though these days the chances of an academic book being 'cheap' by most people's standards are non-existent.
But, yes, like Jill says - feel free to drop me a line about your dissertation: martinjohnfradley@hotmail.co.uk
|
|
|
Post by miniporter on Nov 2, 2012 16:46:11 GMT
Brilliant, I will be getting that as soon as it comes out. miniporter
|
|
|
Post by thegooddoctor on Dec 10, 2012 13:00:55 GMT
Shane Meadows: Critical Essays (Edinburgh U.P., 2013)
Edited by Martin Fradley, Sarah Godfrey & Melanie Williams
CONTENTS
Introduction: Shane’s World – Martin Fradley, Sarah Godfrey & Melanie Williams
Structure and Agency: Shane Meadows and the New Regional Production Sectors - Jack Newsinger
21st Century Social Realism: Shane Meadows and new British realism - Dave Forrest
“Al Fresco? That’s up yer anus, innit?”: Shane Meadows and the politics of abjection - Martin Fradley
No More Heroes: The Politics of Marginality and Disenchantment in Twenty Four Seven and This is England - Jill Steans
“Now I’m The Monster”: Remembering, Repeating and Working Through in Dead Man’s Shoes and Twenty Four Seven - Paul Elliott
“An Object of Indecipherable Bastardry – A True Monster”: Homosociality, Homoeroticism and Generic Hybridity in Dead Man’s Shoes - Clair Schwarz
A Message to You, Maggie: 1980s Skinhead Subculture and Music in This Is England - Tim Snelson and Emma Sutton
Changing Spaces of ‘Englishness’: Psychogeography and Spatial Practices in This is England and Somers Town - Sarah N. Petrovic
“Shane, Don’t Film This Bit”: Comedy and Performance in Le Donk and Scor-Zay-Zee - Brett Mills
“Them over there”: Meadows, Motherhood and Marginality - Louise FitzGerald and Sarah Godfrey
“What do you think makes a bad dad?”: Shane Meadows and Fatherhood – Martin Fradley & Sean Kingston
Is This England ’86 and ’88? Memory, haunting and return through television seriality - David Rolinson and Faye Woods
“After Laughter Comes Tears”: Passion and Redemption in This is England ’88 - Robert Murphy
|
|